作品介紹|Works
愛情像氣球 Love Is Like A Balloon
藝術家:李冠宜 Lee, Kuan-YI 作品簡介: 愛的氣球以其有限的壽命,用力漂浮著,張揚著愛的甜蜜。就像是回應人們易逝的愛,當點滴的氣力隨時間而去,形成了一副怪異奇趣的面貌。 Love is like a ballon, trying hard to express the sweetness of love by keep floating in the air with its limited-lifetime. As the ballon gets out of air and becomes a weird, uncanny shape of look to respond the evanescence of love. |
Written words is the most directly media to manipulate group conscious also the tool to make alienation, people put their conscious into things through witten words to produce meanings, so things have been given to produce meanings, and daily, popular, industry products have been embedding human lifes and conscious connecting habituation, this ceations will be place in an exhibition which need to be read, let the viewers release from the habituation, make a brand new meaning through reading and discover the differences what conscious connecting should on the things from the first sight.
援手 Give Me a Hand、來自救贖的暈眩Dizziness from Redemption
藝術家:陳冠宏 Chen, Guan-Hong
藝術家:陳冠宏 Chen, Guan-Hong
《Give Me a Hand》and《Dizziness from Redemption》are talking about a status-expeting helping from others; Messiah Complex,always waiting at the same place, in my lfie experieneces, full of so many Messiah Complex moments,resulting in that I hurt someone important unconsciously during waiting and practicing. To me, perhaps feeling regrets is the side effect after making mistakes, but for the most of the time, is a kind
日日春 Get high everwhere
藝術家:陳漢聲 Chen, Han-Sheng 作品簡介: 這些日常用品,他們都有自己原本的「正常」使用功能,但在設計無意的巧思中,讓他們的造型生產出「情趣」的效果,發乎情止於禮,只要失禮,什麼東西都可以是情趣的,只因情趣是再正常不過的了。 These daily articles, they have their own "normal" function, but in this ingeunity design, let them convey "appeal" effect through their shape, "Hair peace love only peace ceremony", without manners, everything could ne appealing, only because that super normal. |
奇觀器官 Archeological discovery of the Vagina
藝術家:湯羽彤Tang, Yu-Tung
藝術家:湯羽彤Tang, Yu-Tung
作品簡介:
「穴」這個名詞來自古堪輿學。 名器文本中將女性陰道描述得彷彿進入桃花源遊歷,作品使用了一種介於象形與 指事的方法,利用造景與攝影,將堪輿的觀察記錄,從文字轉為一種的指事風景,主要為了呈現女性體內「世俗宇宙」和天地間「崇高宇宙」的反差,重新翻轉 天人合一的意象。
"穴" this word came from ancient geomancy. In the books describe woman vagina like a paradise, using a way to describe obeservation of universe ,the main thing is to appear the differences between universe in woman body and real universe.
「穴」這個名詞來自古堪輿學。 名器文本中將女性陰道描述得彷彿進入桃花源遊歷,作品使用了一種介於象形與 指事的方法,利用造景與攝影,將堪輿的觀察記錄,從文字轉為一種的指事風景,主要為了呈現女性體內「世俗宇宙」和天地間「崇高宇宙」的反差,重新翻轉 天人合一的意象。
"穴" this word came from ancient geomancy. In the books describe woman vagina like a paradise, using a way to describe obeservation of universe ,the main thing is to appear the differences between universe in woman body and real universe.
分配 We can be alone ;together
藝術家:黃偉軒 Huang, Wei-Hsuan
藝術家:黃偉軒 Huang, Wei-Hsuan
作品簡介:
此件作構思在經過許多的見面與道別的情慾之後,觀看彼此的距離會有什麼樣的改變呢?在此製造數組空間,面容身體已經不再只留場地,曖昧的情慾可以透過場域呈現樣貌為何,想像中的時間與距離能夠產生什麼樣的對話。主要的影像分成數個場景的呈現,整體的影像內容記錄下猶如藉由微弱的手電筒尋找的過程,彷彿鏡頭為手持著特定方向照明的人,在全黑的環境下探索,向前行的路徑游移在空間內,時而看見或看不見前方的樣貌。
After so many lust meetings and separations,what kind of change will occur in the distance of watching each other? Through several spaces by watching empty enviroments to discover every single individual could produce what kind of coversation. The main image will be separate into few scenes , the subjects need to search every scenes with a micro-light flashlight in totally dark environment, the path is a looming.
此件作構思在經過許多的見面與道別的情慾之後,觀看彼此的距離會有什麼樣的改變呢?在此製造數組空間,面容身體已經不再只留場地,曖昧的情慾可以透過場域呈現樣貌為何,想像中的時間與距離能夠產生什麼樣的對話。主要的影像分成數個場景的呈現,整體的影像內容記錄下猶如藉由微弱的手電筒尋找的過程,彷彿鏡頭為手持著特定方向照明的人,在全黑的環境下探索,向前行的路徑游移在空間內,時而看見或看不見前方的樣貌。
After so many lust meetings and separations,what kind of change will occur in the distance of watching each other? Through several spaces by watching empty enviroments to discover every single individual could produce what kind of coversation. The main image will be separate into few scenes , the subjects need to search every scenes with a micro-light flashlight in totally dark environment, the path is a looming.
玫瑰的性別 Sexuality of the roses
藝術家:楊宗嘉 Yang, Zong-Jia
藝術家:楊宗嘉 Yang, Zong-Jia
Sex, like it seems shocking to the world, as it is more appropriate as the same attributes for boys and girls.The beautiful and fascinating illusion of the rose colour, has been always created by the human to deceit the society.Under the label of the rose colour, we pretend to be elegant but at the same time feeling pain. We can only pretend we have left the garden…During the postgraduate time, I always wouldn’t dare to reveal my true self in front of everybody. Initially, I thought to play it safe by adopting the pureness of white, fresh and pink colour style but it was totally not the case under the strong desire.Desire is like waiting for the saturated body and the pureness from the body translate into nutrients. When the body touches it own self-desire, the feeling is so flawlessly clean and also particularly honest.
愛在心裡口難開 I love you more than I can say
藝術家:劉星佑 Liu, Shing-You 作品簡介: 四目交接的時候,不要停留太久,適可而止的問候,關心不能太過,好奇心也別去探索,嫉妒只能深鎖,如果忍不住寂寞,也不能對你說。要是我愛你變成了語言,什麼會多一些,什麼會少一些。這是一個甲仙滴水的男孩,從鄉村到都市打拼,遇到一個女孩,又遇到一個男孩的故事,先是與藝術無關,才能提及愛情,先是與愛情無關,才能提及家庭,之後與家庭無關,才關乎愛情,之後與愛情有關,才關乎藝術。 Eyes to eyes from look to gaze. Friendship or couple relationship. Jealous or not. I love you more than. I can say. This is a story about a country boy became a town boy. This is a romance about a town boy became a country girl. When art has nothing to do with love. When love has nothing to do with family. Than family has relation with love. Than art has relation with love. |
譫妄絮語 The Whisper by Delirium
藝術家:歐靜雲 Ou, Jing-Yun
藝術家:歐靜雲 Ou, Jing-Yun
作品簡介:
繪畫凝結某個時代給予生命的力道。產生吸納同時又消耗著時代樣貌的幻覺,成為明確的意象意識。在我的繪畫創作中,繪畫就好似一座虛構的收容所。虛弱的意涵指涉形式的自身作為身處時代的生存暗號。繪畫挽留了被知識與政治質疑的、或是嘗試排除的某些生命形狀的碎片。藉著一種屬於自我盈滿的認同去收編這些生命的形狀,成為癲狂的絮語、極限的詩性。平面繪畫在可見者、存有者與表象間有種不可能的分享,好似癲狂病態的意象,鏈結了擁有人性之智人無法言說的面貌,賦予不斷展開、變異的生命更為瘋狂縝密的邏輯。繪畫正這樣對圖像、造型與色彩焦慮著,它對抗著現實社會中對於可見影像的痲痹與慣常,繪畫藉由感知與經驗揉碎現實疲軟無力的反覆,把分泌暴力的過程結構在有限度的疆界之中。 An Artist has the power to condense a life force given by an era into a painting. During the process of making an artwork, an artist absorbs as well as consumes the illusion of the era to transform it into a specific image. Painting itself is an imaginary shelter among my creation. The weak meaning referents the form as a survival signal of its era. Painting is to retain the fragments of life questioned by or excluded from the knowledge and politics. With the filled self-identity, I made painting incorporate the shapes of life, which turns into frantic whisper and limit poetics. Plane painting has a madness morbid imagery which could not be shared among those visible, existence and idea. It links the faces of unspeakable Homo sapiens’ humanity. It gives more crazy rigorous logic to make life keep spreading out. Painting is such anxious about image, form and color. It is against for the paralysis of visible and usual image in society. By perception and experience, painting shattered the repeats of anemic reality, constructing the secretion of violence in the limited boundaries. |
Pet’s Pettings
藝術家:顧廣毅、吳倚伶、陳姿延、蔡汶瑜 Ku, Kuang-Yi、Wu, Yi-Ling、Chen, Tzu-yen、Curly Tsai
藝術家:顧廣毅、吳倚伶、陳姿延、蔡汶瑜 Ku, Kuang-Yi、Wu, Yi-Ling、Chen, Tzu-yen、Curly Tsai
作品簡介:
綜觀世界萬物,不管人類或是各種生物皆有「性」的存在,而在現今社會對於人類而言,「性」不只是繁衍後代的活動,「性」也存在著愉悅的追求,更是與許多人的「情感」有著密切的關係。那麼反觀其他生物,動物的「性」就真的只是單純的「繁殖」嗎?尤其在被人類是為「寵物」的動物(例如貓、狗),人類對他們擁有情感關係,甚至認為他們也是具有感情的動物,那麼貓、狗的「性」是什麼?只是單純的繁殖,還是他們也會有情慾的問題呢?此創作計畫希望以這個提問作為創作發展的基礎,去探索寵物情慾的可能性。我們試圖去建構一個科幻想像,在想像的未來情境中,寵物的避孕科技發展完善,主人利用寵物專屬的交友軟體app替他們的貓狗尋找性伴侶。因此未來在新的獸醫學科技的影響下,人與寵物、寵物與寵物之間的關係會如何變化?人類跟寵物會如何共同生活?在這些對於未來想像的提問下,我們將於此計畫中創造出一個未來敘事,並藉由這樣的故事去對於當代人類操控寵物的「性」的權力結構進行批判與省思。
綜觀世界萬物,不管人類或是各種生物皆有「性」的存在,而在現今社會對於人類而言,「性」不只是繁衍後代的活動,「性」也存在著愉悅的追求,更是與許多人的「情感」有著密切的關係。那麼反觀其他生物,動物的「性」就真的只是單純的「繁殖」嗎?尤其在被人類是為「寵物」的動物(例如貓、狗),人類對他們擁有情感關係,甚至認為他們也是具有感情的動物,那麼貓、狗的「性」是什麼?只是單純的繁殖,還是他們也會有情慾的問題呢?此創作計畫希望以這個提問作為創作發展的基礎,去探索寵物情慾的可能性。我們試圖去建構一個科幻想像,在想像的未來情境中,寵物的避孕科技發展完善,主人利用寵物專屬的交友軟體app替他們的貓狗尋找性伴侶。因此未來在新的獸醫學科技的影響下,人與寵物、寵物與寵物之間的關係會如何變化?人類跟寵物會如何共同生活?在這些對於未來想像的提問下,我們將於此計畫中創造出一個未來敘事,並藉由這樣的故事去對於當代人類操控寵物的「性」的權力結構進行批判與省思。
Amidst all the species on the planet, the act of “sex” plays an important role for all, human and animal alike. For humans in modern society, “sex” is more than just an act to reproduce but also stands for the longing for pleasure, and for many people it has to do with the intimate connection of “affection”. What about other animals? Is it easy to say that their “sex” is merely for reproduction? To take this one step further, what about the animals that are considered pets, such as cats and dogs? Humans have always had strong affections toward them, and pet dogs and cats are even considered to have feelings and emotions. In this scope, what does “sex” mean for them? It is still merely for reproduction? Does the concept of sexuality and sexual desire equally apply to pets as it does to humans? This project, based on the original concept, is aimed to explore the possibilities of pets’ sexuality. Meanwhile, the research methodology of “Design Fiction” will be employed as the guideline to create a science fiction style of imagination. This will be extended to envision, under the impact of advancing veterinary medical technology, how the relationship between human and pets, and pets and pets will change, and how human and pets will cohabitate. Appearance and lifestyles of pets have constantly been changed due to “artificial selection”; on the contrary, are humans likely to change themselves to adapt to the ways of living of their pets? Under these imaginations and questions about the future, I create a future scenario to criticize and reflect on the power structure in which contemporary humanity exercises control over pets’ “sex”. |